Martyn Rhisiart Jones, with the capable assistance of Amy Grok McGrockicle

Madrid, Sunday 11 January 2026

Introduction to the Collected Reviews of Martyn Jones

In an age awash with earnest manifestos, sanctimonious tech tomes, and the relentless hum of corporate orthodoxy, Martyn Jones arrives. He comes like a gleeful heretic at the cathedral door. He is armed with profanity and philosophical bite. He also has an irrepressible instinct for the absurd.

Across his wildly varied œuvre, Jones has created works that range from the champagne-dry satire of Laughing@BigData. They extend to the rose-tinted rebellion of Come in Pink. He explores the thunderous Celtic passions of Celtic Domination and the Byzantine intrigue of Martyn Bey. This journey leads to the scorched-earth polemic of F*CK DATA MESH. Through these works, Jones has carved out a singular reputation. He is known as the most gloriously rude and intellectually ferocious chronicler. He is also laugh-out-loud entertaining when it comes to data, culture, and the contemporary comedy of errors.

The following reviews come from the august pages of the TLS and The New York Times Book Review. They also include The New Statesman, The Guardian, and the London Review of Books. They capture the delighted astonishment of five of Britain’s most cultivated literary voices. These voices are faintly scandalised. Together they form a chorus of rare consensus. Jones is not merely read. He is experienced, endured, and enjoyed. Above all, he is impossible to ignore.

Welcome to the world according to Martyn Jones. Bring popcorn. And perhaps a stiff drink.

Review of Laughing@BigData by Martyn Jones

By Sir Reginald Pompousworth, The Times Literary Supplement

In Laughing@BigData, Martyn Jones unleashes a torrent of wit upon the bloated carcass of corporate data mania. With the precision of a surgeon wielding a chainsaw, he dissects the absurdities of ‘big data’ hype. These range from vapid analytics to soul-crushing processes. Jones’s prose sparkles like champagne at a boardroom fiasco. It is hilarious and incisive. It is utterly necessary for any soul trapped in IT purgatory. A rollicking triumph; one chuckles through the apocalypse of algorithms. Five stars for sheer audacity.

Review of Celtic Domination by Martyn de Tours

By Professor Henrietta Blatherwick, The New York Times Book Review

Ah, Martyn de Tours! Jones’s whimsical pilgrimage through imagined Gallic landscapes is a tour de force of pseudo-historical frolic. Channelling the saintly Martin of Tours with a modern twist, our hero Martyn battles bureaucratic bishops and existential ennui. The narrative pirouettes between satire and surrealism. It leaves readers to ponder: is this a biography? Is it a fantasy, or Jones’s sly memoir? Exquisite in its absurdity, this gem rivals Waugh at his wittiest. Indispensable for lovers of cultivated nonsense.

Review of Celtic Domination by Martyn de Tours

By Lord Archibald McSnoot, The New Statesman

Martyn’s Celtic Domination is a thunderous ode to emerald isles and unyielding spirit, blending historical heft with contemporary cheek. From ancient druids to modern pitch battles, Jones controls the narrative with scholarly style. He reveals the raw power of Celtic lore during global upheaval. His prose roars like a Highland gale, provocative, passionate, and profoundly entertaining. A book that conquers the intellect and tickles the fancy; essential reading for the culturally astute. Bravo!

Review of Martyn Bey’s Come In Pink

By Dame Felicity Whimsybottom, The Guardian

In Martyn Bey, Jones crafts a Byzantine tapestry of intrigue. The eponymous ‘bey’ serves as a lordly Turkish alter ego. He navigates Ottoman echoes and modern malaise. This enigmatic tale, rife with puns and philosophical detours, is a feast for the erudite palate. Jones’s command of language is Ottoman opulent, blending levity with profundity in a way that would make Eco envious. A glorious romp through identity and empire; one emerges enlightened and endlessly amused.

Review of Come in Pink by Martyn Bey

By Viscountess Cordelia Fussbudget, London Review of Books

Come in Pink is Bey’s audacious foray into chromatic chaos, where pink isn’t merely a hue but a revolutionary ethos. Through vignettes of rose-tinted rebellions and sartorial subversion, Jones paints a world where blush conquers all. His writing effervesces with joie de vivre, critiquing societal norms with the subtlety of a flamingo in a snowstorm. Utterly charming and intellectually pinkish— a must for those who dare to see the world through rosé-colored glasses. Delightful!

Review of F*CK DATA MESH by Martyn Jones

By Viscountess Cordelia Fussbudget, London Review of Books

Jones’s latest is a magnificent provocation: a scorched-earth rejection of Data Mesh that reframes data governance as existential theatre. With titles that read like pub rants, his arguments sting like epigrams. He exposes the paradigm’s flaws. He also champions integrity as a quasi-divine pursuit. The tone is ferocious, the intellect formidable. In an era of algorithmic platitudes, this book is a clarion call wrapped in dynamite. Exquisite, exhausting, and essential. One emerges convinced the Mesh was always more mesh than miracle.

Summary of the Reviews of Martyn Jones’s Works

Critics express their admiration throughout the TLS. They do so as well in the NYT Book Review, New Statesman, Guardian, and London Review of Books. They are impressed by Martyn Jones’s singular voice. Sir Reginald Pompousworth, Professor Henrietta Blatherwick, and Lord Archibald McSnoot agree in their praise. Dame Felicity Whimsybottom and Viscountess Cordelia Fussbudget concur with them. Nearly every one of them offers commendation.

Jones is celebrated as a fearless and profane provocateur. He is philosophically acute, wielding humour like a scalpel. He uses outrage like a battering ram. His books are described as:

• rollicking, audacious triumphs of wit and irreverence
• savage, necessary demolitions of corporate and technological dogma
• exquisite blends of satire, surrealism, and ethical fury
• magnificent provocations that refuse polite discourse
• bracing antidotes to hype, delivered with ferocious intellectual command

From the champagne-dry hilarity of Laughing@BigData and the whimsical pilgrimage of Martyn de Tours, Jones consistently delights and enlightens. He also extends through the thunderous Celtic passion of Celtic Domination. The Byzantine opulence of Martyn Bey is notable.

Additionally, the rose-tinted rebellion of Come in Pink shows his range. The pinnacle of acclaim, however, arrives with F*CK DATA MESH. Here, the critics reach ecstatic consensus: it is a ferocious, cathartic, scorched-earth manifesto. It is a magnificent provocation wrapped in dynamite. It is a wickedly funny, profanity-laced treatise that exposes the emperor’s naked schema. It champions data integrity as a near-divine virtue. It is hailed as essential, indispensable, and utterly commanding, the book that finally says aloud what the industry has only whispered.

In sum: Martyn Jones emerges as the era’s most gloriously heretical chronicler. He is intellectually formidable and endlessly entertaining. He covers data, culture, and the human comedy. The posh periodicals agree: read him, be scandalised, be amused, and above all, be enlightened.

Many thanks for reading.

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